The Function of Niggunim

An explanation of what the singing of niggunim-both privately and publicly-accomplishes. The specific organs and anatomy of the soul from which music springs. The emotional and spiritual differences between categories of niggunim-fast and slow; those with and without words; those with origins in Jewish traditions and those from a non-Jewish source.

The Seder Niggunim

A series of eight special niggunim designated to be sung during each of the Three Yearly Festivals-Pesach, Shavuos and Sukkos. What are these niggunim? Who wrote them? Why specifically these songs? And why do we sing them during these three festivals? The themes of the first session will inform this second session.

Thematic Transformation and Word Painting in Chassidic Niggunim

This talk will demonstrate how the authors of Chassidic song used expressive techniques also found in music of their Classical contemporaries. I will focus on how niggunim use Franz Liszt’s technique “thematic transformation,” mutating a melody to produce different emotional and structural meanings; and Georg Friedrich Handel’s technique of “word painting,” whereby music mirrors the meaning of the text to which it is set. This lecture will include listening examples from the Baroque, Romantic and Jewish repertoires.

Songs and their Stories

The real-life lore behind Chassidic melodies. We will discuss the events surrounding the creation, teaching or singing of certain niggunim. These stories will give insight into the origins, effects and histories of special melodies and will give clues as to the purpose and power inherent in Chassidic music.